Showing posts with label nathalie handal. Show all posts
Showing posts with label nathalie handal. Show all posts

Thursday, 12 January 2012

Made in Palestine by Nathalie Handal: Even

Nothing is even, even this line
I am writing, even this line I am waiting in,
waiting for permission to enter
the country, the house, the room.
Nothing is even, even now
that laws have been drawn and peace
is discussed on high tables,
and even if all was said to be even
I would not believe for even I know
that nothing is even—not the trees,
the flowers, not the mountains or the shadows…
our nature is not even so why even try to get even
instead let us find an even better place
and call it even.

Made in Palestine by Nathalie Handal: Ephratha


There you stand
between the dream of two gazelles,
breathlessly
questioning the poem
Poem
dressed in olive branches and cracked happiness,
surrounded by seasons of sleepless nights staring
at the dusty walls of cities we have lost
Poem
that loses its address or that the address
loses, both, in either case awaiting
the return of those returning not today not ever
Poem
that wishes it could remember if the clouds split in half
the day the soldiers marched in their villages, towns,
houses, dreams and future, remember the crumbling of prayers
remember the gap between hands which held all
that the Poem was too weak to hold, remember when the horses’
secrets surrendered, when we trespassed ourselves?
Poem
I ask you—why—
does the street have a name I can’t pronounce
does our vocabulary invent us, our accents
resent us—must we come to a halt
and try saying our name without feeling strange
try praising our poets without feeling afraid
Darwish,
every wish can be found in his name
Poem
is exile
a guest made of stones
a thin line between our voice and heaven’s throat?
Poem
are our memories filled with pale notebooks, fading paint, falling walls
to understand this place must we understand its howls, to understand
its howls must we understand its verses, to understand its verses
must we understand agony?


Poem
the murmur of rivers in your curved chest, the dancing of leaves
in your swaying arms, the sundering roof on your back
the fields of wings in your feet, the dagger and the storm
everywhere inside of you, lead me to my stillness
Poem
when will your words made of earth, your dreams of clouds,
your grotto of milk, your wheat fields, monasteries, synagogues,
crosses and coffins stop stitching miles of bones, stop
broadcasting itself on the radio
Poem
you stand between the dream of two questions
awaiting the day you will unfold yourself
like prayers unfold themselves from our tongues
you continue to stand, I weep and we celebrate
the poem as if it were written
perfectly

Ephratha is Palestine’s Canaanite name, meaning ‘the fruitful.’

Made in Palestine by Nathalie Handal: Jenin

A night without a blanket, a blanket
belonging to someone else, someone
else living in our homes.
All I want is the quietness of blame to leave,
the words from dying tongues to fall,
all I want is to see a row of olive trees,
a field of tulips, to forget
the maze of intestines, the dried corners
of a soldier’s mouth, all I want is for
the small black eyed child to stop
wondering when the fever will stop
the noise will stop, all I want is
a loaf of bread, some water
and help for the stranger’s torn arm,
all I want is what we have inherited
from the doves, a perfect line of white,
but a question still haunts me at night:
where are the bodies?

Made in Palestine by Nathalie Handal: War

A cup of empty messages in a room of light,
light that blinds & blinded men lined up
the young are unable to die peacefully, I hear a man say.
All is gone: the messy hair of boys, their smile,
the pictures of ancestors, the stories of spirits,
the misty hour before sunrise
when the fig trees await the small hands of a child.

Now the candles have melted
and the bells of the church
no longer ring in Bethlehem.

A continued past of blood,
of jailed cities
confiscated lives
and goodbyes.

How can we bear the images that flood our eyes
and bleed our veins: a dead man, perhaps thirty,
with a tight fist, holding some sugar for morning coffee.

Coffee cups full
left on the table
in a radio station
beside three corpses.

Corpses follow gunmen in their sleep, remind them
that today they have killed a tiny child,
a woman trying to say, “Stop, please.”

Please stop the tears, the suitcases, the silence,
the single man holding on to his prayer rug,
holding on to whatever is left of memory
as he grows insane with every passing day…

listen, how many should die before we start counting,
listen, who is listening, there is no one here, there is nothing left,
there is nothing left after war, only other wars.